Viktor Oszkár Nagy

Love makes a bad relationship between father and son all the more rancorous in this drama from Hungarian director Viktor Oszkar Nagy. A convict (Janos Derzsi) returns home after a long stretch in prison to a less than enthusiastic welcome; his son (Tamas Ravasz), now in his late teens, was left to fend for himself and tend the family farm on his own after his dad went away, and the youngster blames his father for his mother's untimely death. The father wants to mend his relationship with his son, but the young man makes no secret of his contempt for his dad, and only grudgingly allows him back on the farm.

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The ambitious receptionist becomes a key figure in a cold war military operation, which makes him realise that, although he will never become a super-spy, he can be just as happy beside his wife as an average man.

A hardcore soccer ultra, Gyula, and his wife, Mariann, long for a baby. But it turns out that Gyula is sterile and when their plans to adopt also go up in smoke, Mariann does a deal behind her husband's back: they will take in the soon to be born child of a young Roma woman. The ensuing state of affairs turns all of their lives upside down. While Gyula has to continually hide the truth from his racist friends, surprises await him in his private life, and when Cupid's arrow strikes him from the most unexpected direction, he is faced with both comical situations and acute moral dilemmas.

The story of some refugees, who live in a refugee camp in Bicske, where they are preparing for a new life in Hungary.

1916. Austria-Hungary. When the former professional of Irish descent Jimmy Hogan encountered the self-taught street-footballer György Orth in the rapidly industrializing, multilingual and multicultural city of Budapest, a new chapter was opened in the history of the sport. The style of play embodied by what came to be known as the Danubian School revolutionized the game and marked the birth of modern football. All the same, the achievements of both men came at a high price.

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