Laura Harrison

An experimental animated long short that depicts a woman coming undone by shifting gender norms in South London in 1975. It is a period piece featuring housewife Marcia, whose whimsical notions about dust and dirt take a dark turn when she encounters Mucor, the god of decay. It’s a story about art, metaphysics, obsessive compulsion and second wave feminism. Told through a fascinating character, an ingenious but profoundly conflicted individual, who comes unstuck amid the transformation of gender rules in 1970s suburban London.

"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici

A drug addict, Lorraine, tries to seduce her bisexual boyfriend Cesar away from his sugar daddy, Wade, by throwing him a lingerie show. A drug fueled orgy ensues.

Tears is the story of a narcissist, Betty, whose misguided quest for self love results in a botched face. After numerous plastic surgeries gone awry, Betty and her husband, Leonard (himself a borderline who mirrors her obsession with plastic surgery in his fascination with the show Xtreme Makeover), get into a car accident in which a deer crashes through their windshield. Leonard dies, but Betty survives, albeit without a face. Waking from a three week coma, she learns from a nurse that she will require a face transplant. Worse, a doctor informs her, the face is that of a successful suicide. And finally the kicker: New life is stirring in Betty. Will she choose the fetus or her face? And how to cope with the walking dead situation of her transplant? Many quandaries, none of which are resolved.

Secret People: The Naked Face of Leprosy in America is a 1998 documentary by John Anderson and Laura Harrison that chronicles the stories of patients forced into quarantine at the Carville Leprosarium in Louisiana. The 59-minute film highlights the stigma, discrimination, and forced isolation of hundreds of Americans with Hansen’s disease (leprosy) during the early-to-mid 20th century. Although it has conjured horrific images of society's most feared outcasts ever since Biblical days, leprosy is in fact a mildly communicable disease that has been treatable since the 1940s. "Secret People" recounts the shocking history of this disease in America through the voices of victims who live in the last remaining leprosy sanatorium, in Carville, Louisiana