Glenn Branca

Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.

This first feature by Amy Greenfield brings to the screen the story of the daughter of Oedipus in an emotionally relentless, visually stunning New Music Film Opera which challenges the conventions of narrative cinema to create a genre of its own. The 2500-year-old drama of the woman who defied the state to bury her brother is transformed through stark, ceaseless movement, haunting sounds and music (including themes from Glen Branca, David Van Tieghem, Elliot Sharp and Diamanda Galas) and words of outcry against our own world's injustice.

An experimental documentary that looks at its subject John Cage through the eyes of contemporary Avante-Garde artists as well as those who play his music.

This 1992 video highlights Dan Graham's installation Two-Way Mirror Cylinder Inside Cube and a Video Salon, originally created as part of the Rooftop Urban Park Project at the Dia Center for the Arts in 1991. The video documents and further explores Graham's investigations of the urban environment, from Abbe Laugier's theory of the Rustic Hut to Parisian shopping arcades, wintergardens, museums, Disneyland and corporate office buildings. For the Dia Center in New York City, Graham developed an environment, analogous to a small-scale urban park, which integrates aesthetic and utilitarian functions, and spatial and visual experiences, bringing the landscape into the roof and extending the roof into the landscape. Graham writes: "The pavilion structures are psychologically and socially self-reflective. There is a dialectic between the perception of oneself and other bodies perceiving themselves, making the spectator conscious of him or herself as a body.

9/11 is a first-hand, harrowing document of the events of September 11th and their immediate aftermath, as observed by the artist. As the tragedy unfolds, Tony Oursler records from his apartment, just blocks from the former World Trade Center, and on the ground in Lower Manhattan. Oursler began recording after the first building was struck, and continued to record as the second tower was hit. His camera also captures the responses of New Yorkers and tourists at the site in the days that follow. 9/11 allows the viewer a highly personal and immediate perspective on the events as they occur.