Sushmit Ghosh

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

A land where the soil has started to breathe again. A village that does not exist on the map. A people.who celebrate life. A no-where; no-where land - When a small farming community in South India decided to switch from their decades-old practice of chemical agriculture to organic farming; little did they know that they were planting the seeds of a silent revolution. By showcasing the exemplary efforts of farmers of a tiny village in Andhra Pradesh; the film explores critical issues of food security and sovereignty. At its heart; it looks at the relationship that a farmer shares with her land; her seeds and raises vital questions about food; the very essence of human life.

For 11-year-old Vrej, life in his homeland Artsakh is like a paradise, but when war starts again, can he carry a nation’s hopes on his young shoulders?

DILLI is a moving collection of heartfelt interviews with Delhi slum dwellers. Its lens focuses on a group of dwellers, bringing to life the untold story of mass exodus of thousands who were bulldozed from their homes and transferred to a makeshift facade - Bawana without water, shelter or drainage, while the city was being beautified for Commonwealth Games 2010. DILLI - city of dreams - is a universal story of millions of underprivileged around the world. DILLI holds up a mirror not only to India, but to every nation around the world, whose poor live forgotten under bridges, children go hungry, and fathers work thousands of miles from their families to provide. DILLI brings awareness. And awareness is the first step towards action.

Told through the stories of five People Assigned Gender Female at Birth (PAGFB), set against the backdrop of Delhi; a tapestry of images and metaphors that invites one to re-engage with and rethink the notion of the other, or the ‘sexual deviant’.