Mike Iveson

New York mafia capo Dwight "The General" Manfredi is released from prison after 25 years and exiled by his boss to set up shop in Tulsa, Oklahoma. Realizing that his mob family may not have his best interests in mind, Dwight slowly builds a crew.

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Strangers June and Charlie wind up double-booked in the same upstate New York Airbnb during the start of COVID-19. Exasperating the situation, the lockdown forces them both to stay and confront the unexpected feelings that develop between them.

Fifteen-year-old Heidi Schreck earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and achingly human show, Heidi resurrects her teenage self in order to trace the profound relationship between four generations of women and the founding document that shaped their lives.

Hi, Friends! is a cringe-inducing short film that takes place in the all-too-familiar present day of New York City. The world is closing in around us, and it’s a battle of wills for who can go the longest before the obvious is proclaimed: we are not OK.

Charles Atlas has been a pioneering figure in film and video for over four decades. Atlas has extended the limits of his medium, forging new territory in a far-reaching range of genres, stylistic approaches, and techniques. Throughout his production, the artist has consistently fostered collaborative relationships, working intimately with such artists and performers as Leigh Bowery, Michael Clark, Douglas Dunn, Marina Abramovic, Yvonne Rainer, Mika Tajima/New Humans, Antony and the Johnsons, and most notably Merce Cunningham, for whom he served as in-house videographer for a decade from the early 1970s through 1983; their close working relationship continued until Cunningham’s death in 2009.