Marie Lukáčová

In a hierarchical kingdom isolated by magical nature, a young girl named Jasna lives. Gifted with the power of critical thinking and a fierce sense of justice, she comes into conflict with the evil ruler Volk. He condemns her to a difficult path from which there is no return. By overcoming her own fear, strong inner courage and meeting the protector of the forest, Orl, she finds the key to changing the system – the free establishment of the entire kingdom. The journey of the main female heroine is based on contemporary ecological and feminist perspectives and promotes interpersonal acceptance and love. Visually, the film combines live-action scenes with 2D and 3D animations, which are complemented by musical sequences inspired by the genre of contemporary rap.

Dichotomies of the world are not something of Christianity itself, but were formed later, from the early church fathers. This extended through institutionalization, the arrival of capitalism, the enlightenment to today’s perverted form, which has little to do with early Christian groups characterized by their cultural decentralization and non-hierarchical nature. Certain instruments of criticism are offered by contemporary feminist protests, which are growing all over the world.

A story of human society forced to return to its roots – into the sea water. Suddenly a group of three arises, facing a difficult task to accomplish: they reach the land where possible salvation awaits.

I BURN DOPE / I BURN BUSH / FIELDS IN A FIRE / FOREST IN A FIRE JUST BURN MONEY /BURNING CASH / TYRES IN A FIRE / AND ALSO MESS EVERYWHERE IS A DUST / EVERYWHERE SOUND AND PLUME / EVERYTHING IS CLOUD EVERY DAY / EVERY BLOCK, EVERY MAN AND EVERY YEAR

A video collage on the topic of landscape renaturalization, or returning minerals to mined soil. Assuming that we take nutrients from the earth, we should also think about how to return the energy we have taken back to it. In the video, a group of women with children wander around, gossiping and chatting, and their conversations are occasionally interspersed with interviews with farmers who cultivate the land in ways other than with combine harvesters. The women continue to gossip and pass on information. Through fairy tales and rap, the Žin Field is created.

Bon Sirens is a site-specific video clip that was created for the coal baron and the executor boss, who quite vigorously enter the Czech artistic scene. Money redistribution, which is also related to the fear of public art institutions who are unable to face them: Bon Sirens is about money love.

Morraine Morraine / cash smells like your name / price is too much / little one scream rex rex / bare food no more flex flex / money is your dream style / slow motion team age / red smile is my scream / cash stinks of a name / Morraine Morraine / they will confiscate your love song.

Incomprehensible video about cyborgs in real and virtual space, which refers to the enthusiasm of the 1960s and tries to deconstruct the bright vision of the future through selected areas of an abandoned bath.

Skuzomeetzah is kind of a ‘rap operetta’. Insects, or rather parasites dressed up as humans, reflect on the power and profitability of the image at the time when the digital world is getting less and less distinguishable from reality. The pixel is becoming the basic unit of the power system.

Interview with members of a fictitious Czech Border Defence Society (CBDS), which represents an unknown knight group of guerrillas who live in the historic fortifications and fight against ubiquitous air supply.