Paolo Monetti

Just out of jail, rumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

The seemingly perfect life of a small-town family is shattered when their teenage son disappears after becoming involved with a satanic cult.

A fantasy LGBTQ film in which Shadows, Guardians and Human fighting for keystones

The Resistance, an ancient theme. Almost always approached from a realistic, if not documentary, perspective. Yet memory reworks in a fantastic, sometimes sinister, way all kinds of memories, even dramas. It is from this point of view that first-time director Daniele Gaglianone (34) approached the subject, despite his deep historical knowledge of the period (he has been working with the National Archive of the Resistance for years). In an interior, rather than intimate key: two old men meet by chance the fascist hierarch responsible for a terrible massacre, and they do not know whether to forgive or avenge. The past then mixes with the present, up to a third dimension that becomes a real character, in the finale: the decision made by the two will turn out to be unsuccessful and then, in order not to "die," the old men will build a perverse inner game capable of remedying every pain...