Jean-Paul Moulinot

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Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

From Bonaparte to Casanova, history is cast in the light of famous escapes from various European countries.

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After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

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Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

A middle-aged businessman faces bankruptcy after his partner's suicide and a rival's unscrupulous offer to buy his company. Determined to avoid the trap, he finds an unexpected solution through a prostitute.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

This short-lived French TV series from 1950 features police investigations tinged with astrology. In nine episodes of about ten minutes each, in a humorous style, a duo of private detectives investigates a series of murders involving a marriage agency.

In August 1952, a family of British tourists is found by the roadside in Haute Provence, brutally murdered. In the ensuing, very public, investigation a local landowner, 75 year old Gaston Dominici, is arrested for the murders, having been denounced by his sons. Under police interrogation, Dominici confesses to have killed the family and it looks certain that he will be charged, tried and sentenced to death. But then the case begins to collapse. The old man retracts his confession and the lack of evidence against him becomes apparent…

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

Bernard Noblet is a modest bank clerk with a passion for billiards. His fiancée Juliette, a schoolteacher, dreams of one day living the high life, and his best friend Roger, a little-known inventor, is equally despairing. After careful consideration, a solution emerges: a cleverly organized hold-up will enable them to live in luxury for the rest of their lives. Bernard soon makes the acquaintance of Bettina and her mother, Madame Ralton, professionals in the "heist" business.

An honest taxi driver gets into trouble by looking for a customer who left her purse full of cash in her vehicle.

An American agent disappears after a scuba diving reconnaissance mission in Corsica. The Secret Service sends agent code name OSS 117 to investigate.

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

Left heartbroken by the death of his beloved wife, a rich banker tries to commit suicide. When he learns from his former maid that his wife was unfaithful, he fakes his own death and comes back under a new identity.

This stage play from 1977 is adapted from the well-known play "Lorenzaccio" written by French poet and playwright Alfred de Musset. Set in 16th-century Florence, the play revolves around the complex and tormented protagonist Lorenzo, known as Lorenzaccio, who faces inner conflicts as he struggles with his desire for personal freedom and the responsibility he feels towards his city. Between political corruption, morality, and the struggle for justice; the stage blends with historical drama and psychological exploration.