Giana Eid

After risking his life to pull a teenager from the clutches of a fatal fire, a middle-aged man becomes a local hero – only to find himself amidst an inevitable power battle against a cunning thug.

The events revolve around the cruel and tyrannical Abu Nadhir, who seeks to control the lives of his family members without any regard for the psychological pain he causes them, while it becomes clear that there are secrets in his life and his past returns to haunt him.

The life story of the fourth Imam of Islam, Ahmad ibn Hanbal.

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

Beirut 303 plane explodes over the shore of Lebanon, turning the lives of the few who survived into a quest of truth filled with mystery and suspicion.

Qamar Sham is a Syrian Damascene drama set in the traditional Al-Madina neighborhood, centered on Shahran Al-Baghdjati — a noble, generous man who refuses to marry and devotes himself to helping his neighbors. When his brother is murdered, Shahran sets out on a path of revenge to uncover the killer, while navigating loyalty, love, and the fierce power struggles that define life in old Damascus. Starring Bassam Kousa and Rafiq Al-Sbaei.

Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

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In the Syrian deserts of war, a love story blossoms between a young man and a young woman who turn cherries into pens as they write love letters to one another. The couple has to live a national struggle as they witness the Six-Day War and the October War, as war changes the scene around them.

“Rozana” is a Syrian social drama that explores the tense relationship between two families representing old money and newly wealthy elites. Their interactions are marked by rivalry, resentment, and shifting power dynamics, where status and influence shape personal and social outcomes. The series suggests that while tradition and authenticity persist, financial power often dominates decisions and destinies. It stars Bassam Kousa, Giana Eid, Milad Youssef, Andre Skaf, and Nadine Tahseen Bek.

A drama about a group of women of different ages and from different social ranks, and how such problems like spinsterhood, divorce, spousal abandonment, reproductive issues and sexual violence affect their lives.

The journey of Afra and Ribal continues, as the family goes through many situations after the marriage of Maysoun and Nabil, and the new developments that occur to the family in their attempts to stick together.

Based on one of the most famous novels by Syrian novelist Khairy Al-Zahabi, the film tells the story of a woman from a Syrian family who is married but always treated badly by her husband, and is good at embroidery.

The events of the series revolve around Bahloul (Issam Suleiman), a man who constantly relies on others rather than on himself. Circumstances force him to leave his village and move to another. After arriving in this new village, the residents believe that Bahloul is a very brave and powerful man. The villagers are overjoyed at his arrival, hoping he will save them from the wolf that attacks the village and threatens the lives of its people and their livestock.

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A journey in the world of the little employee Sobhi Halogi, a conservative, conservative woman, occupies the axis of his thinking. He seems to be an object, but we do not reveal his intimacy unless life has given us a special experience with him. Sobhi Halouji is confronted by a girl he encounters by coincidence, but fails to bear the spiritual expenses imposed on him by this relationship. The film reveals and exposes the model of this segment with all its contradictions, motives and aspirations to overcome the bitterness of living and deprivation at all costs, bearing one goal is to climb.