Dalila Ennadre

Each night, the voice of Casablanca takes us to the door of one of her inhabitants, revealing what binds her to that character. In WALLS AND PEOPLE, the characters will share snapshots from their lives, whether it is on issues related to illegal immigration, unemployment or political cooperation.

Fadma, 75, tells her life story including being recruited as a sex worker for the French army aged 20, and her views on love, parenthood, and destiny.

Following the appeal of the Palestinian poet Mahmoud Darwish, founding member of the International Parliament of Writers besieged in Ramallah, a delegation of writers went there to demonstrate alongside the Palestinians a "beautiful linguistic collaboration" in these "high places of spirituality” (Ramallah in Arabic) where the Israeli program of humiliation is also a “verbicidal war”. “We want to listen and make other voices heard in the din of war, that of writers, artists, academics, all those who are preparing for the future... Opposing the logic of war, not a force of "interposition but INTERPRETATION FORCES", says the French writer Christian Salmon, member of this international delegation.

No description available.

In the old Spanish cemetery of Larache, by the sea, where Jean Genet spent the last ten years of his life, a modest family of guardians watches over this dead man with profoundly human affection and constancy.

We follow the director's camera into the kitchens and living rooms of a community of Moroccan women. inside the walls of their apartment in Casablanca's old Medina, the women cook, clean, take care of their families and help each other. With their hands in the dough, in the soap whilst washing the laundry, doing the house chores, in the market or at the hammam, between laughter and tears ("We are housewives, that's all. ... Our sport? House cleaning!"). These courageous women, proud of their role, talk about their miserable lives with a great sense of awareness, but without self-pity. They show a surprising vitality, curiosity for life and solidarity.

During a travel to her homeland, a Moroccan director who lives in France, meets a family living in an oasis of the Moroccan Sahara. The result of this meeting is a rich exchange between them. They speak about their own values and culture and their perception of the modern world.