Joshua Alexander

Twisted tales run wild in this mind-bending anthology series that reveals humanity's worst traits, greatest innovations and more.

Archie has been in love with his best friend Amelia for as long as he can remember. Just when he builds up the courage to declare his feelings, she falls head over heels for Billy Walsh, a new American transfer student.

Set in Portsmouth, we follow Samuel an aspiring Screenwriter with the world of potential but not positive network around him. We witness opportunities presented to him are thrown away due to the negative drug use around him. Samuel delves deep into that drug filled life. Becoming an eye opener Samuel must leave that old life behind and pursue what he loves.

Made for the 'Erkembode: Not Just Another Saint' exhibition at Hardy Tree Gallery, London.

An office worker working from home becomes embroiled in a series of phone calls with Google Earth complaints department as he tries to understand why there is an image of himself on Street View in the middle of a forest in a country he has never been to.

A fuller record of this plaice is snared in a net.

Charting the particular, baffled and morbid character of English attitudes to mortality, The Animal Drums depicts the specific influence of urban space on the psyche. Recalling the tableu film-making of Peter Greenaway and the lyrical disjunction of Harold Pinter, The Animals Drums is one of the first significant British feature-length poetry-films of the 21st century. London disappears under the ground of the film’s ambiguous protagonist, who is half victim, half perpetrator. Gently mad, positively lost, we follow our host through the bounds of a changing, money-washed capital city. Fusing documentary technique, montage and theatrical set pieces, the film features appearances from authors like Iain Sinclair and Stewart Home, alongside actors like Edie Deffebach and Lotje Sodderland, The Animal Drums is unique representation of modern London in old England.

Driving, drifting, streaming.

An awakening of language; the marsh is aware of us.