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Perla Bautista

Perla Bautista

Acting

Biography

Perla Bautista (born February 18, 1940) is a multi-awarded actress in the Philippines. She acted in more than 250 movies and television shows. She won the Best Actress FAMAS Award for Markang Rehas (1962). She also won Gawad Urian Award for Best Supporting Actress in Anak ng Cabron (1988).

Known For

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7.0

Recuerdo de Amor is a Philippine afternoon drama series which aired on ABS-CBN in 2001-2003. It starred Carmina Villaroel and Diether Ocampo in successful roles. The TV Series was delayed on May 14 to May 15,2001 and ended on its original end date Worldwide on TFC series also nominated Isabel Rivas for Best Actress in a Drama Series by the PMPC in 2002 alongside Seasoned Actress Pinky De Leon who was also part of the series was also known to use fast paced TV Filmography in its 45 Min Premiere of its Pilot Episode the series was also known for getting outstanding reviews throughout its run to Filipino Customers who had The Filipino Channel Internationally because of its memorable storyline and breathtaking Visual Effects similar to a U.S Soap Opera. The series was also Pinky De Leons last TV Series as she decided to retire from TV and Film Work. The Afternoon Series was also competing with Dramas such as Pangako Sa ’Yo and GMA-7s Rival Soap Kung Mawawala Ka.

Recuerdo de Amor

2001Series
Manila Kingpin: The Asiong Salonga Story
3.0

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

Manila Kingpin: The Asiong Salonga Story

2011Movie