Cora Miao

Hotel is a TVB television series, premiered on 1 November 1976. Theme song "Hotel" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Susanna Kwan.

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Vanity Fair is a TVB television series, premiered on January 2, 1978. Theme song "Vanity Fair" composition by Joseph Koo, lyricist by Wong Jim, arrangement by Joseph Koo and Choi Tak Choi, sung by Paula Tsui.

The Good, the Bad and the Ugly is a TVB television series, premiered on 1 September 1979. Theme song "The Good, the Bad and the Ugly" composition and arrangement by Joseph Koo, lyricist by Tang Wai Hung, sung by Teresa Cheung.

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In "13," visionary Hong Kong New Wave director Patrick Tam delivers his final TV work, an 11-episode anthology series that dives into surreal and darkly comic narratives. Although originally slated for 13 episodes, each standalone story explores eerie undercurrents of everyday life. Highlights include a couple discovering a corpse in their apartment, a schoolteacher uncovering the unsettling truth about her hosts, and a strained summer romance influenced by a mysterious housekeeper. "13" mixes black comedy with Tam’s iconic strange flair, creating a thought-provoking exploration of the bizarre hidden beneath the surface.

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An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.

A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.

San Francisco's Richmond District. A widow welcomes the Chinese New Year. 62 years old, she wants to make a trip to China to pay last respects to her ancestors. A fortune teller has told her this is the year she'll die, and a daughter, Geraldine, remains unmarried. Geraldine's boyfriend lives in Los Angeles and she's not sure she's ready for marriage, nor does she want to leave her mother alone in her declining years. Mrs. Tan's cheerful brother-in-law, Uncle Tam, tries to help out.

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Cheung Sheung and Tze Ngor are twin sisters. Tze Ngor is a lunatic and stays in a mental hospital. But out of a madcap incident, Cheung Sheung is "cheated" into the hospital, exchanging identity with her insane sister. The mad house is lived by all kinds of weirdos. The "game" is that Cheung Sheung will stay in the hospital only for a while. But strangely enough, she gradually becomes more and more ease with the way of life in the hospital until one day, she's forgotten what life is like...

Liang Pao-erh joins the carefree Spinsters' Club when she discovers her husband is having an affair. Despite the seemingly happy front that her sisters put on, beneath it all, each of them secretly yearns for a man in her life.

An American-Chinese man brings over his wife from China to America, but the challenges of making a living and adjusting to a new life, plus the attentions of a gambler threaten their marriage.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.