Joana Botelho

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

No description available.

A reorganization within a crime syndicate.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

One day they meet randomly on the street: João is unemployed, Clara works in the film industry as a production assistant. They were colleagues at film school. She invites him to participate in this film she’s working on. “Eternal Flame” it’s a melancholic comedy about the dynamics of a film crew and the growing pains of a young slacker. A homage to the family of Portuguese cinema and cinema itself

The character of a novel gains life to torment the author, revisiting and reliving the story of a crime.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

Documentary about Vale do Côa.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure.

A young girl, traveling in the south of Angola, meets a retired doctor who deals with the memories of war and its perpetual waste. An adaptation of the short tale "The Dragonfly", by Ondjaki.

No description available.

A dozen of the revolutionary Army officers that played eminent parts in the change of political regime in Portugal, from a military dictatorship to a social-democracy, read a book to a young girl, describing in a poetic, yet realistic way, what happened in the streets, and minds, of her People in April 25, 1974.

No description available.

Joana and Samuel's relationship has a specif routine.

Three times she travelled until the last stop on the F line. Each as if it was the first. There she found a meatless Disneyland, only skin, bone and memories. She thought of Dorothy and her dog. On her skin she felt the taste of the sea and she discovered new flavours as she dived into the freezing cold water. Now she fears everything will vanish like a wave that goes and never returns. Unlike her, I never travelled to the end of the F line. But I can see, hear and feel it. Can you?