Igor M. Toholj

In the summer of 1990, writer / director Nikola Stojanović shot his new feature film Belle Epoque in Sarajevo. The war in Bosnia and Herzegovina breaks out, making it imposible to finish the editing of the film. The year is now 1996, and Nikola Stojanović remembers working on expensive project. He lives in Belgrade, the film's negative is in Zagreb and sound materials are in Sarajevo. Will he ever finish editing his film?

Original inversion concerning the matters of life and death.

A documentary about the painter Petar Meseldžija.

A film about Serbian baritone Zeljko Lucic.

A film by Igor Toholj.

An unknown film director is trying to make a documentary film about a transvestite. A transvestite commits suicide on camera. The film remains unfinished. The unknown film director still goes to the cinema for the premiere of his film.

Documentary about three characters, creative people who can not fit into their community-suburban settlement near Belgrade, looking for the inner place to live and work…

Branko Crnogorac Kareli is one of the famous, though bizarre characters in pop culture of Ex Yugoslavia. Former circus and film hero, known for his ability to digest almost anything, a superman from the plains today is a humble citizen. His former world fame has replaced the retirement life in Vojvodina province. The memories of his adventurous past is still coming up and over them occasionally hangs a dark shadow of repentance...

The people of the village on Mount Fruska Gora every few decades are facing wars and socioeconomic turmoil. It's the same now, in the so-called transition period. In the surrounding area there is a huge hole full of water, and the fate of the people are in some way connected with it, as a result of the growing power of multinational companies that are expanding, bringing trouble and death. In contrast, and away from it all, an old lady spends his last days not knowing what fate befell her hometown ...

A short film that its creator made after seeing an electricity pylon laying on the ground in a field near Blok 45, a section of the New Belgrade suburb of Belgrade. The strangeness of the sight inspired Toholj to film it, and he intuitively saw the pylon as a giant beast or, as the film’s title suggests, the skeletal remains of an enormous dinosaur, which he captured through a series of rapidly alternating close-ups shot from a variety of angles.