Eric Mival

World War II, 1940. When the Nazi hordes invade and occupy Great Britain, the English citizens are soon divided between those who choose to submissively collaborate and those who are willing to fight.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

The making of Winstanley (1975)

This lyrical film opens with a quote from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘Stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year.