
Diego Recalde
Directing
Known For
Diego Kiai, a legendary 1980s world karate champion, receives a mysterious call from an old rival he believes he defeated, challenging him to a final fight to see who is the true winner. Diego Kiai, the Argentine Samurai, is the story of an old karate glory who fell into oblivion and fights against the passage of time.
Diego Kiai, el samurái argentino

Maximiliano is a psychiatrist who suffers from strange visions of his past. He grew up in an orphanage and then left for the big city. When his adoptive father dies, he goes back to his hometown where he will be reunited with his brothers and discover a dark family secret.
The Unburied

No description available.
La trans de la patria
No description available.
MartĂn Revoira Lynch, la papa en la boca

It is the story of Ernesto Ramponi, a man who lost his penis and tries to get it back.
Tenemos un problema, Ernesto

No description available.
Ave marĂa

No description available.
VĂctimas de Tangalanga 5

No description available.
Victimas de Tangalanga

No description available.
VĂctimas de Tangalanga 4

No description available.
King PerĂłn

My parents died and, upon leaving this world, among the things they left me was a box full of photos. Reviewing it, I realized something: that when we die, it is true, we end up in a box - but in a photo box!
Smile

In the 21st century, man arrives on Mars, where he discovers that there was life. Later, through a television program, details of the Red Planet are discovered, after being invaded by humans.
T.Ves?

The protagonists of this film are, on the one hand, Nicolás Arrieta and Patricio Aramburu, two canchero film students and admirers of Tarantino, and on the other hand, Jaime Petesh and Diego Ogeid. The first, a depressive who is terrified of sex; the second, an obsessive who wants to make the first pornographic film suitable for all audiences and, in order to do so, enters his peculiar script in a contest organized by the Film Institute.
Sidra

There are people who blend in with others because they are insecure and afraid to express their own point of view. The protagonist of this story, unlike these "human chameleons", is very sure of something. If you want to grow in your profession, it is convenient to have the point of view of the owners of the company for which you work.
El periodista

Neither Daniel, nor Gustavo, nor the rest of their high school classmates did well in life, with the exception of Jorge. Daniel tells Gustavo a statistical discovery: that per course, only one is going to do well in life. This finding is the starting point of an even bigger discovery, which will make them come out of failure. Daniel discovered that when one kills the person who is doing well, luck passes to the murderer.