Gelareh Kiazand
Directing
Known For

On one last grueling mission during Army Ranger training, a combat engineer must lead his unit in a fight against a giant otherworldly killing machine.
War Machine

A documentary news series with a taboo-breaking team who deliver incredible news stories from around the world.
VICE

On the eve of losing her family estate, actress Homa is blackmailed by a government agent with a compromising tape. Forced into a real-time video call with her estranged family, which has been exiled since the 1979 Revolution, decades of silence explode into raw confrontation. As old wounds resurface and accusations fly, the line between past and present blurs. Secrets unravel, betrayals are laid bare, and the long-buried fate of two sons lost to history comes roaring back.
Oh, What Happy Days!

Convicted of murdering her husband, a woman who served her sentence and now faces a ticking clock to negotiate with her in-laws who, under Sharia law, have the legal right to either execute her or forgive her- for a price.
An Eye for an Eye

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Shirin
A woman goes back to her birthplace after a long time. However, she's just like a stranger in the family, especially to her son. Now she's fighting to prove her motherhood.
Wild

The true story behind one the of most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.
Desert One

An intimate documentary shedding light on the life of veteran Iranian actor, Ezzatollah Entezami.
And the blue sky

Convicted of murdering her husband, Tahereh served her sentence and now faces a ticking clock to negotiate with her in-laws who, under Sharia law, have the legal right to either execute her or forgive her- for a price.
An Eye for an Eye

For many families in Afghanistan, women's soccer remains a taboo subject. Madina Azizi knows this better than anyone. At the age of 23, the young woman, who was a member of the Afghan national team, now coaches a girls' team in Kabul. But while sport is tolerated for girls until they reach adolescence, marriage generally puts an end to it.
Frauenfußball in Kabul: Ein Tor für die Freiheit

Angels in the House of Sun remains one of Rakhshan Banietemad’s most articulate critiques of the treatment of women in contemporary Iranian society. Male-on-female violence is an all-too-common occurrence in Iran. It’s part of a wider exploration of gender imbalance that permeates so much of Banietemad’s work. Here, the filmmaker journeys into the backstreets of one of the poorer districts of Tehran, to a shelter where women can find safety, community and a sense of belonging with others who understand their situation – whose lives have been marked by suffering and humiliation.
Angels of the House of Sun
Pomegranate, the city flower of Xi'an, was introduced to China from Iran during the Han Dynasty. Based on the pomegranate, this documentary shows a deep reflection on the intrinsic connection between the two cities of Xi'an, China and Isfahan, Iran, through the perspectives of an Iranian professor of history and a Chinese documentary filmmaker. At the intersection of tradition and modernity, it links the historical heritage and spiritual commonalities between China and Iran, and deepens the understanding of the history and modernity of the two cities from a new perspective.
The Tale of Pomegranate

The Volunteer tells the story of the We Will Stop Femicide Platform (KCDP) and its fight for justice on behalf of femicide victims in Turkey. The film not only follows the lawsuit seeking the organization’s dissolution but also highlights the inspiring efforts of volunteers in femicide cases, presenting a powerful narrative of solidarity and the struggle for women’s rights.
The Volunteer
In the era of food sustainability, Hanif Sadr, an engineer turned chef from Tehran, Iran, has opened his first Iranian regional restaurant in San Francisco, USA. He delved into the farm-to-table gastronomy world after working as a cook for a Montessori school in Berkley. His mission is to introduce the regional and seasonal recipes of Northern Iran, learnt from his childhood to the North American public where its ingredients geographically match California. With his wife banned from the US and a lack of distribution of Iranian food ingredients due to sanctions, he travels back and forth between Iran and the U.S., attempting to bridge the personal and political to bring back a taste of home. Alongside other renowned food figures, Hanif aims to show the depth of a unique forgotten cuisine that is connected with nature, influenced by seasons, and defines the art of preservation techniques.