Writing
HascoĂ«t, Émile, LĂ©o, and Paul are a rowdy group of teenage skateboarders. They pile into LĂ©o’s mom’s car and drive to Barcelona, the mecca of skateboarding, for their first trip away as almost-adults. They live on vacuum-sealed tortillas, drink warm cans of Lemon Damm, and spend their days and nights at MACBA. The beach might as well not exist, and the Sagrada FamĂlia is just something they pass on the way. All that matters is skating, drifting through the city, and burning through those first fragile days of freedom. Ten years later, they try to piece it back together over a few scattered phone calls. The memories are still there, but something has shifted. What once felt infinite now comes back in fragments.
After three weeks' training, young aspiring CRS officers are deployed in the field. Most of them have never set foot in a demonstration before. Each arrives with certainties, but also with questions. They train, apprehend and fantasize about their opponents.
It's been 548 days that A hasn't felt anything, that she's been absent from her life. One night, J appears and takes her with her, trying by all means to revive her heart. Stranger is a musical fable, the story of a return to life.
She is alcohol-phobic. He is a deep alcoholic. After their passionate night, Suze will find out she is allergic to her new friend. In this hyperbolic world, pathological characters are in search of tenderness. They suffer from bodily disorders : sentimentality for Suze and Dallas is manifested through violence, allergic reactions, occasional gunshots - "Suze" represents love as I have dreamt it: dramatic, kitsch, naive, but always sincere.
Pol is 21 years old and lives with his grandmother. He dreams of living in Miami and generating over $10,000 per month. He attends personal development events, follows online coaches, and invests in cryptocurrencies. Pol doesn't know when he'll achieve his goals to become the best version of himself. The only thing he knows is that one day, he will.
In 1979, the Pacific Club was opened in the basement of La DĂ©fense - the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of integrating into France but who soon came face to face with racism, the AIDS epidemic, and heroin.
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Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.
Justine is in her room, in her bed. Her alarm goes off and it takes a long time for her to turn the sound off. She goes back to sleep. The film takes place in Justine’s bedroom. The camera almost never leaves these four walls. And neither does she.
It all happened on a dark night. The Man was tired of being a stranger, tired of being insulted by others simply because he speaks Arabic to a wife who speaks French with their beloved mixed race son. He looked at the sky and shouted. But that night, far in the cosmos, a voice answered.
Paris in summer. Maxime has a revelation: Camille, the pretty cashier at the supermarket no longer interests him. The problem is, he does not know how to tell her without hurting her. The other problem is that in fact he has never dared to speak to her.
Pio and AnaĂŻs, a couple about to get married, announce to their friends that their wedding will be child-free. However, their friends, who are now parents, decide to bring their children along, thinking they can hide them from the bride and groom.
Windows open and close on other windows. In sleep, spaces and times embrace each other. A pinhole dream within a dream. I sleep on a carpet that becomes a forest.
Summer 2013, Ariège, a young woman disappears. Her car is found in a high mountain parking lot, and an investigation follows for five years. The case was finally closed due to a lack of conclusive results. Ten years later, amid silence and against the backdrop of oblivion, some continue to search. This film tells their story. Through the relationships that unite and divide them, a French news story experienced from the inside emerges.
On the night their favorite bar closes, Eden, Crystal, and Ibtissame, three young black and arab queer girls, experience strange events: Crystal mysteriously disappears, kidnapped by a purple star. Eden starts looking for the one she loves, until she discovers that Crystal is trapped in another fantastic and strange world...
A woman talks to us from inside a machine that records her brain activity. She describes a mental labyrinth combining an old amusement park called Dreamland, 19th-century dream photographs, contemporary experiments in mental decoding using AI, and Prophetic, a start-up whose goal is to control dreams. But what do our dreams see when they look back at us? "like moths to light" is a meditation on the future of our dream worlds in the age of neurocapitalism.
Antoine, 14, skateboards through the streets of Bordeaux with his friends and his little camera. Paul, 25, spends a night in the city with his friends, rewinding the movie.
Antoine’s dreamy gaze slowly shifts from the jellyfish he’s fascinated by to Jeanne, his brother’s girlfriend, who’s come to stay with them in Gouville for the holidays.
