Sound
The School of Housewives is a documentary film about the self-image of the Icelandic housewife and how the role of this school has changed over the years. In the film, the past is reflected in interviews with senior students alongside old 16mm footage that show how important role the school played to expectant Icelandic housewives around the middle of the last century. At the same time, recent students are monitored showing how much change has taken place in the school, regarding the role of housewives today in terms of gender role and the basic values such as all kinds of efficiency, maintenance of clothing, protecting the environment and preventing food waste. The film is a unique contemporary documentary about the ReykjavĂk school of housewives, running since 1942 and still open for those students who are interested, despite the uncertainty about the future of the school and its possible imminent closure.
After surviving a brutal assault, a young lawyer moves into a historic Reykjavik flat—only to sense she’s not alone. As eerie events and the flat’s violent past close in on her, she must confront her deepest fears before her mind—or something darker—destroys her.
Dora has been unemployed for some period of time and she and her family are therefore facing financial difficulties. One day she receives an unexpected offer to become temporary chef on a freezing trawler from Greenland. The ship will leave the port in an hour. She gives her husband and children a goodbye hug and goes on a fishing tour in the north Atlantic with a crew of 24 guys from Faroe Islands, Greenland and Iceland.
This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.
The comedy Our Own Oslo is an everyday love story. We follow the strained courtship of the wildly differing Harald, forty year old engineer and Vilborg, an unemployed single mother. They are both tangled up in their own pasts and their attempts at love end in disaster.
Two lovers dance their story, united in space, divided in time.
Electrician Atli, his wife MarĂa, an astronomer, and their daughter, musician Anna, live in Iceland. MarĂa plans a trip with her family into the highlands to photograph a comet she thinks she's discovered. When the day comes, Atli and Anna have made other plans and cannot go with her. That twist of fate upends all their lives and leads them into a different orbit.
Unable to face the mother who left her at a young age, BRYNJA (40) takes shelter in a small guesthouse in a village outside Reykjavik. There she befriends MARK (50), a British tourist, who's dealing with his own personal tragedy.
A festive horror short about a drunken Santa and his elf.
