Production
A man from London comes to a small remote village in Serbia to look after the cemetery. He starts to have nightmarish visions and suspects the friendly villagers have a more sinister intention with him.
Neda moves from Croatia to New York and struggles to find a new home despite being far away from her estranged father, the only family she's ever known. Things seemingly change when she discovers Electronic Witches, a fictional queer internet bad whose music begins to create solace for her loneleyness. Her enjoyment quickly turns into obsession which seemingly transports them band from the wavelengths of the Internet into our world.
The water reached up to our necks, and very soon, over our heads. The mountains became islands and the islands became hills in the darkness of the deep. The palms became sea anemones and the sea anemones remained what they were. The Wall Street was still full of sharks. Venice floated a while longer, and then… If a global catastrophe is a state of mind, then music is the raft.
What do stories about a girl grieving over the death of her grandmother, two women who used to own the same apartment, a chronically ill mother, a group of teenagers, a man and a woman who reunite after a long time and a tram all have in common? They're all parts of the latest installment in the Zagreb Stories franchise of anthologies that, once again, shows us that Croatia's capitol is only quiet on the surface.
