Vassilis Noulas

Athens. The last day of a female member of an illegal terrorist organization. Despina shoots, kills, wanders around the city, tries to find help, fails in every attempt, gets shot, dies in her apartment. The movie attempts a personal portrait of the city of Athens through the drifting of the main character. The Lair - a low budget production with DIY aesthetics and queer elements - is an existential road movie.

The artist staged in front of the camera a conversation between Ruxandra -his mother- and Gicu, the also Romanian greengrocer who lives in Nafpaktos, asking them to get in the sea in their bathing suits and have a conversation in half Greek – half Romanian about everyday life while they are playing and finally eating a watermelon.