Despina Chatzipavlidou

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

Athens. The last day of a female member of an illegal terrorist organization. Despina shoots, kills, wanders around the city, tries to find help, fails in every attempt, gets shot, dies in her apartment. The movie attempts a personal portrait of the city of Athens through the drifting of the main character. The Lair - a low budget production with DIY aesthetics and queer elements - is an existential road movie.