Mohsen Badi

A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.

Rajab and his friend Ghorban accidentally enter the 20st century from ancient times and after a few events, decide to return to their time and period.

Hamid Nokhodchi who claims having received a PhD in cinema comes back to Iran, but he fails to launch a successful film career. He meet a girl called Manijeh and they pledge to get married. While Hamid is on a trip to shoot a film, Manikeh notices some changes in her feeling. Visiting a doctor, she is advised to undergo a sex change surgery...