Ricardo Oliveira

Love, passion, mystery, betrayal makes the days of the Pôr do Sol estate. The Bourbon de Linhaça family owns the Pôr do Sol estate, but not everything is rosy...

Follows the Bourbon de Linhaça family and their precious Necklace of São Cajó, that's been in the family for over 3500 years and hides secrets, curses and a mythical cod recipe.

One week before the university entrance exam João has given up. Rita, his girlfriend and a straight-A surfer girl, is determined not only to make him study, but to make him pass the exam and get him into college. The problems arise when she fails to get into college herself while she is helping him. What will she discover about their relationship?

Schrödinger's cat may have nothing to do with this. It doesn't matter if, inside the box, the cat is alive, dead or undead. It is a paradox. Still, a film about a Portuguese rock band can begin with an introduction to quantum physics, when some of these basic concepts are used as a starting point for the creative process. The director Ricardo Oliveira recorded the daydreams of recording the third album of originals by Capitão Fausto: Capitão Fausto Têm os Dias Contados. And when in one of the songs - “Corazón” - is heard at a certain point: “… Pontas soltas. Isso é comigo. E por isso queres também ser assim. Pontas soltas. Isso é comigo. Para estragar um disco tenho-me a mim…”, it is clear that the band of Tomás Wallenstein, Manuel Palha, Francisco Ferreira, Domingos Coimbra and Salvador Seabra reached the age of majority and tied such loose ends. More than a diary, it is an experience.

Composed of unpublished versions of the band's repertoire, Sol Posto integrates three performances recorded live and exclusively for the film. The performances take place at three different times of the day: twilight, night and dawn. As in recent daily life, the film faces the idea of a period of reflection instead of action, and suspension instead of completion. The hours of Sol Posto are the stage of rest, seclusion, dreams and plans, darkness, waiting and the unknown. If, on the one hand, it wants to evoke the most credible aspects of a concert experience, it also becomes an opportunity to break the physical barrier of the traditional stage/audience, bringing the spectacle closer to the spectator, bringing it into the stage and placing it at a distance of complicity with the musicians. The sound and image were recorded live, during a week in September 2020, in Melides.