Claus Philipp

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Tourism is booming at the Pension Alpenrose. After a dying in an accident, Karin returns as one of the undead. In a cinema owned by a Nazi widow where the past is mourned, she brings the dead back to life.

An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.

In an observation over four seasons THE STANDSTILL shows Vienna and its surroundings along with encounters with people during and after the Corona crisis. The film tells of the immediate and also the long-term effects, which can only be evaluated and classified in the future.

B for BARTLEBY is a documentary film essay about a very personal confrontation with this narrative: It becomes a re-encounter with a deceased companion, who wanted to film Bartleby all his life. Then a journey to the USA, to the farmhouse of Herman Melville. Here today's "classic" of American literature, conscripted the women of his family to "write off". We see performative experiments with women "learning" Bartleby and men practicing writing; we see everyday encounters with Bartleby in a cafeteria, a youth club, a center for the stranded. and a legendary offstage theater in New York. Goose quills scurry across blank pages, actresses memorize text that might be their own, costumed museum employees lead tours of "original showplaces," animals (beloved by Herman Melville above all else) glare at us. "Ah, Bartleby! Ah, humanity!" It's about the desire and curiosity to find out how to peacefully cope with a personal visitation.