Acting
The Battle of Moscow is a 1985 Soviet multi-part war narrative, presenting a dramatized account of the 1941 Battle of Moscow and the events preceding it. The battle was the first major defeat of German Wehrmacht in the Second World War.
The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.
On safari at the Masai Mara game preserve in Kenya with Teddy Roosevelt, Indy becomes lost in the vast and dangerous wilderness. Later, in Paris, he explores the fine-art scene and the rather wilder cafe scenes of Montmartre with a young Norman Rockwell.
Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).
A Dickensian mock-Gothic tale of resourceful children, evil governesses, forged wills, cruel orphanages, and goodness triumphant set against an isolated country house, in an alternate 19th century where savage packs of wolves roam the snowbound countryside.
A communist journalist from Prague is sent to Ravensbruck concentration camp.
Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek
This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.
In the fifites the 10 year old boy Honza lives with his single mother in Prague. The mother is a dedicated communist in the beginning but she changes her mind when a show trial is held. She speaks about her dissatisfaction with the government and is immediately arrested. Honza is given to another family.
Despite the initial mistrust of others, former glass worker Štěoán Urban becomes the founder and first chairman of the local agricultural cooperative. However, 1968 arrives and with it comes previously unexpected problems.
Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.
The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.
The historical television play was written based on Vančura's Pictures from the History of the Czech Nation and takes place against the backdrop of the European situation at the beginning of the thirteenth century. Přemysl Otakar I., father of Agnes of Přemyslid, sought recognition of the Czech lands as a hereditary kingdom. And what about his love and fickleness? The story will answer this, in which poetry and truth diverge only in the degree of emotional movements, in the tremors of souls, which lead to love as well as to hatred.
In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.
Even the best of resolutions can crumble, especially when late paternal feelings are echoed. Although the protagonist is a lecturer in ethics at the university, explaining the principles of good behaviour to the students, he himself experiences many confusions and troubles when he tries to get his teenage daughter from his first marriage admitted to medical school. The eloquent, self-confident man slowly turns into a bully, who also defies his own principles.
Webs of Prague's post-war underworld.
A Czech film comedy about the ordinary days of an ordinary Novák family, about the confusion of finding and the winding road to wisdom...
An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.
