Directing
Four LGBTQ adults re-encounter the home video footage they shot of themselves as youths: Shauly explored his homosexuality; Tom faced his gender identity; Betty filmed her friends and lovers; Rumia discovered her roots in drag.
At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.
Tom is a teenager who lives with his single mom in a small southern Kibbutz, and deals with his (and other’s) sexuality.
Ben and Raz are painstakingly pursuing their desire to have a child, and the migrant neighbourhood where this gay couple has set up their new flat is on the up. But a conflict over a newly planted tree in the city brings deep-seated prejudices to light.
Zalman Shoshi, born in Haifa to Holocaust survivors, grew up in a home marked by violence and trauma. As a teenager, Zalman ran away from home and survived by working as a sex worker. Later, Zalman reinvented himself as Shoshi, Israel's first transgender celebrity, who was both revered and feared. Their path also led to Berlin: a divided city where Holocaust survivors reopened bars, brothels, and peep shows, and where Israeli trans women found both refuge and danger.
Due to an unexpected mishap delaying his mother’s funeral, Gil tries to write a eulogy that will outshine his brother’s, hoping to become the son—and the man—he wishes he were.
Michal Ben Horin reveals her childhood secrets. Through a personal film archive in which she holds private conversations with the world’s most psychopathic criminals, including Charles Manson, Richard Ramirez – The Night Stalker who murdered 18 people, Lynette Fromme – a member of the Manson family and the woman who tried to assassinate President Ford, and more. Michal asks them questions she couldn’t ask her stepfather, Motke Keddar, a Mossad agent who murdered his informant and became known as prisoner X, but for Michal he is the man who hurt her, and the biggest psychopath of all. The filmmaker embarks on a 30 -year journey in which she wants to understand the dangerous madness behind the stamp of genius and logical proficiency of her stepfather.
Shoshana Damari was the first Israeli diva. She graced local and international stages, stirring millions with her beguiling voice and spectacular performance. Yet behind the larger-than-life persona and her memorable songs was a woman about whom we know little. She didn’t like to be interviewed and never volunteered details about herself and her family. Hers was the life of a Hollywood legend and she paid the price for it. This is a story about fame and loneliness, acclaim and loss, daring and compromise. For the first time, the woman behind the crown, the cloak and the palace will come to light.
Dizengoff Center, the first shopping center in Israel, has become a phenomenon, an icon, a city within a city. “The Center” is more than a shrine for consumption or a shopping place, for many people it’s a place they call “a home”. The Center will discover the story and the history of Dizengoff Center, layer by layer, from the ground it was built on, to the top floor and the secrets this place withholds. The film will travel from the past to the present in order to try and find out what makes this place so special.
When Eden's brother tragically dies, her grief spirals into obsession after discovering his secret girlfriend.
While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.
Based on the diary of a hostage, a forgotten heroine who acted as an intermediary between members of Fatah and the IDF, this is a gripping inside account of the terrorist attack on the Savoy Hotel in Tel Aviv in 1975.
An intimate and unexpected night evolves between Hagar, a female taxi driver, and an ultra-Orthodox young man, who she picks up.
Mickey, a young musician paralyzed in his arms and legs, spends a weekend with Oliver, a captivating Filipino substitute caregiver, whose presence disrupts his carefully controlled world and awakens long-suppressed desires.
Friday afternoon. Ella and Yaeli, best friends for years, return drunk and happily from the beach. On their way home, a Police-Officer stops the two on the side of the road to check whether Ella drives drunk. When Ella does not pass the test, the girls have to decide whether to obey the law rather than remain loyal to one another.
The story of the Rovina women—Hanna Rovina, the grande dame of Israeli theatre and a founding member of the national theatre Habima; her only daughter, the celebrated singer Ilana Rovina, known for her unique voice, born from a brief love affair with poet Alexander Pen. Through rare personal and public archival materials, the film reveals the complex world of the Rovinas—a fascinating lineage of women marked by beauty, grace, and strength, yet also by pain, flaws, and life-altering choices. This is a story of women, of mothers and daughters, of fame and solitude, of love and sacrifice, and of the lasting impact of past decisions on generations to come.
On the morning of the October 7 attack, Rachel and David Edri were held hostage in their home in Ofakim by a terrorist squad. For 20 hours the couple survived alone with the terrorists until they were rescued by the security forces. During the hours, Rachel offered the terrorists food and drinks, talked with them and took care of one of the wounded.
