Germán Cantore

After the suicide of his best friend and the fire of a local dance called Cromañón, including recitals, illegal parties in an abandoned warehouse and high school, a year passes by in the life of Zabo who writes everything he feels and lives in his blog, "Memories of a teenager".

Through candid interviews, the perpetrators of Argentina's most notorious bank heist detail how — and why — they carried out the radical 2006 operation.

Felipe, an aspiring actor, believes he is jinxed after an unfortunate event. His struggle to find the cause and cure of his jinx. His half-brother is not doing much better, but among the two of them embark on a mission to change their lives and fulfill their father's dream.

"El Rati Horror Show" is a documentary that portrays the dramatic story of Fernando Ariel Carrera, the case of an ordinary man wrongly sentenced to thirty years in prison - not by mistake but deliberately - through the manipulation of a judicial case in Argentina. The film takes as its central point the way in which Fernando Carrera's case was fabricated: the manipulation and alteration of evidence at the scene of the crime; the manipulation of all national media by Rubén Maugeri, key witness to the events and president of the Association of Friends of Commissary 34. On the other hand, it shows how Fernando Carrera leads his daily life in prison.

Olga, Teresa and Pilar have been friends since they were born. For years they vacationed together with their parents, and later together on their own. A few years ago, Teresa got married, and for some years they didn't see each other as much. Teresa's divorce prompts a reunion, so the three of them rent a small house for the weekend. In their first day together, it becomes obvious that everything they share is in their past. They have grown apart.

A journey through the metropolis from production to the final disposal of waste. In between: people, pollutants, margins and beyond. We become aware of garbage when we smell it. That is why we try to put it further and further from our homes

The partnership of Vecinos Sin Techo and the Lof Mapuche Curruhuinca, through a National Act, took control of lands that were previously in the hands of the Army. They received 400 hectareas as a collective property in San Martín de los Andes, a highly coveted city for tourism infrastructure developers, because of the beautiful landscapes and the mountain sports, where the public use of natural assets as rivers, forests, lakes and the snow are increasingly limited. In this place they are building 250 houses and had reached new levels of organization and dignity.

Ale is a seventeen-year-old who decides to help a man who picks up trash to make a living. His new way of life drives Ale away from his house, and he makes the decision to move to a squatted plot of land.

Ricardo Vilca was one of the most transcendent artists in the Argentinean north-west. However, his person and his music remained in the shadows to bigger audiences for years. Like a work of destiny, his songs arrived to Buenos Aires through the voice of important musicians such as León Gieco and Divididos. With unknown archival footage, Vilca is a journey through his story and a tribute, trying to better understand the sources of inspiration that sustain his music.

Film that addresses the problems facing humanity to feed 9000 million people in the coming decades. This represents an opportunity for Argentina as a food-producing country and at the same time a risk, since direct sowing with chemical fallow is installed as an agricultural production methodology and RR seed has become popular, which leads to the application of more than 400 million liters of pesticides each year.

A young Mapuche from Bariloche claims his identity and his culture. A Guluche journalist travels through these territories trying to recover the memories of the elders about the war and the massacre of his people. A historian from Buenos Aires finds in the archives the documents that allow him to prove who financed the army and what they obtained in return.

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In the last decade, Argentina has become a country of origin, transit and destination for human trafficking. There are the pimps and corrupt state officials who make human trafficking a great business. On the other side, there are the victims. But going through all this framework are the clients, always safe from any condemnation. The gaze of Whole Woman rests on them, the men.

Ana María is a person full of knowledge about art, with a great imagination and vision. universal, at the same time a woman with a world complex, deep and magical internal. The work of Ana María Stekelman is of beauty and connection with the viewer rarely seen, it is magnetic, subverts, elevates, transports. The idea was to make a 70 minute documentary and This demo tries to show the quality of his work. He sky as a sublime expression of movement, and earth as the most finished manifestation of form.