Christine Laurent

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

Danuta Zarasik plays Isabelle Eberhardt in this biographical drama. At the turn of the 20th century, Isabelle fell in love with the African desert, donning men's clothing to travel and record her adventures in writing while her Moslem husband patiently waited at home. This visually stunning feature shows the overwhelming majesty and beauty of the forces of nature. Director Christine Laurent relies upon her expertise as a painter and designer to bring an added dimension of artistic beauty to the film.

Convinced only she can lead France to victory against the invading English, Jeanne leaves her childhood home to plead with Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

A librarian, a gangster's ex-lover and a woman who has recovered from a coma spend an eye-opening summer in Paris.

Jeanne has succeeded in lifting the siege of Orléans and Charles has been crowned King of France. However, she is injured in an attempt to take Paris, weakening her position at court. Captured by the enemy and put on trial, she finds both her life and the sanctity of her body at stake.

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view

After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

Anna, Joyce, Claude, and Cécile are four young actresses sharing a Paris apartment while attending intense acting workshops led by their demanding teacher Constance. As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.

Max, who dreams of adventures, abandons his studies at 18 to become involved in the navy. He becomes the sailor 512.

The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.

In this French-Portuguese film -- directed by Jacques Rivette's screenplay collaborator Christine Laurent -- French vocalist Laure Constant (Laurence Cote) goes to Montevideo, Uruguay, to see her old lover Colossus (Jose Olivera), but when he's a no-show, she becomes involved with several other men, while listening to advice from some older French women who are costume designers. Shown at the 1997 Locarno Film Festival.

Two young pretty Parisiennes sell their place and leave behind the capital and its pollutions to live a healthy and bucolic life in a small village in the south of France. Their arrival is an event.

Two sisters, Camille and Madeleine, make up the story of a woman: Alice Constant, the servant of their grandfather who committed suicide at the age of 25.

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Hélène and Marianne are two girls with love on their minds. Together, they decide to play a short-lived game of deception. A guy called Agostino Stone charms the two but then disappears into thin air, but not without first leaving his mark…