
Hirokazu Kore-eda
Directing
Biography
Hirokazu Kore-eda (born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films, including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016). He won the Jury Prize at the 2013 Cannes Film Festival for Like Father, Like Son and won the Palme d'Or at the 2018 Cannes Film Festival for Shoplifters. Description above from the Wikipedia article Hirokazu Kore-eda, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For

Movie meets humanities! This talk show/variety show for movie enthusiasts features interesting discussions by a writer and two movie directors where film and humanities intertwine.
Movie Room

Two inseparable friends move to Kyoto to chase their dreams of becoming maiko, but decide to pursue different passions while living under the same roof.
The Makanai: Cooking for the Maiko House

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.
Monster

Ryota, a timid salaryman who has difficulties fitting in at home and work has his average life changed after his estranged father falls ill. Along with his wife Sae and their only child Moe, he travels to his father's country town, where he begins to uncover his father's mysterious past spent searching for a mythical creature.
Going My Home

In 1979 Tokyo, four distinct sisters uncover their aging father's affair, causing their happy facades and bottled-up emotions to slowly unravel.
Asura

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.
Le Cercle

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.
Shoplifters

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.
Kaidan Horror Classics

Sang-hyun is always struggling from debt, and Dong-soo works at a baby box facility. On a rainy night, they steal the baby Woo-sung, who was left in the baby box, to sell him at a good price. Meanwhile, detectives were watching, and they quietly track them down to capture the crucial evidence.
Broker

Kasumi Arimura suddenly gets a break from filming and returns to her hometown for the first time in a long while. Her mother, Yumiko, comes to the train station to pick her up and they head for the family home.
A Day-Off of Kasumi Arimura

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
Nobody Knows

After the death of their estranged father, 3 adult sisters invite their teenaged half-sister to live with them.
Our Little Sister
No description available.
Song FUKUYAMA

Set in the near future, Otone Komoto works as an architect. She is married to Kensuke Komoto, who runs a construction company. The married couple decide to welcome a humanoid robot into their home as their son.
Sheep in the Box

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.
Like Father, Like Son

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.
Still Walking

Jun'ichi is a young man without job or home who seems to have a great power of fascination over woman. He crosses the paths of different women who are unsatisfied with their lives and find comfort in his presence. It is a subtle love story between Jun'ichi's drifting life and six different woman from 16 to 65 years old.
Junichi

On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.
After Life

No description available.
Vidéo Club

YouTube Originals documentary on the making of "Get To The Punchline", the first film written and directed by Non (formerly, Nounen Rena). It covers the pre-production, 13-day shoot, and post-production of the film showing the wildly creative but inexperienced film-maker's struggles to make her first film.