Mireia Ros

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A pair of newlyweds must fight to survive when their wedding reception descends into chaos and carnage when their guests become infected by a virus that turns them into hungry zombies.

Crime drama centering on a gang of rapists, the aftermath of their crimes on the victims and the gang members being brought to justice.

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Federico is a cashier in a bank. He is bored with his life. But one day a body falls on his car. The suspected suicide victim is collected by a group of men that disappear in a car. Federico's life is about to change completely.

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Fan girl finds herself torn between the attraction for her film idol and her best male friend.

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In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Andrés, a young provincial who became blind during his childhood, comes to the capital with the possibility of having a transplant and recovering his sight. Upon arrival, he stays with an old friend of the family, Rogelio Molinos, who lives with his daughter Marisol. Soon a relationship is established between the two young people that makes Andrés conceive false illusions.

María, a young and attractive woman, loses her job, meets Luis, a young man with no stable job neither, his wife supports him. Luis wants to start a relationship with María, but she doesn't. She prefers to be with Luis' friends instead.

An adaptation of the short story collection by Pere Calders.

Barcelona in the 1930's: with extreme makeup and outlandish clothes, "La Moños" (Julieta Serrano) is a mysterious character of Las Ramblas. Pepi, a girl of nine years, is fascinated by this extraordinary woman. Using her imagination, and collecting the stories she has heard, passionate Pepi reconstructs the life of "La Moños".

Lola and Alfredo survive on the fringes of crime. Their business comes to an abrupt end when Alfredo is arrested. Lola gets the chance of working in a jazz club where the couple meet some very different characters, who open up new worlds and possibilities, but, along with this, the opportunity to change and choose.

In Cold War-era West Berlin, Lola (Julia Migenes-Johnson), an American blues singer with a nightclub band, falls for the piano player, David (Jose Coronado). Their romance is cut short when David must return to his native East, and Lola soon begins an affair with Huessler (Keith Baxter), the bandleader. But any guilt Lola may feel for betraying David is assuaged when Huessler saves her from unexpected misfortune.

Eloy de Palma is an exorcist pastor roaming the darkest corners of the country with his granddaughter Alba. Their mission is to help those possessed by The Evil One, an infection of the soul that is spreading fast. Each exorcism is tougher than the one before, and every battle reveals a piece of Alba’s forgotten past – an enigma that if unconcealed could change the world as we know it.

Jill is a young actress in decline who does not do things very well, neither professionally nor personally. Used by all those around her, everything will change for her the moment she meets Luis, a waiter. Now she has something that makes her happy and for which she has a reason to live.

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

Samuel is an old hippie musician who settled in Formentera in the 1970s, when King Crimson and other British rock bands frequented the island. There he lives austerely, in a ramshackle house without electric light or unnecessary luxuries, and plays the banjo in a friends' club. Until one day, after many years, he receives the unexpected visit of his daughter Anna and his grandson Marc. Anna, unemployed for some time, says she has had to accept a job in France and is forced to leave her little son on the island with grandfather Samuel.