Directing
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Theatre director Jan Kačena poisoned himself in 2019 by inhaling fumes and suffered irreversible brain damage. While his partner makes a film as a declaration of love, he lies unconscious. In the film, the director follows moments in the everyday lives of three people close to him: Czech rapper Tyler Durden, painter Tadeáš Pochman and film director Helena Papírníková. In a naturalistic way, it captures drug addiction, self-destructive tendencies and family problems, which are the subject of intimate, often uncomfortable conversations. The result is a diary-style probe into the fate of the artistic bohemia of late capitalism.
We all perceive poetry differently. For some, a poem is a rhyming text, for others a metaphysical experience. For director Kateřina Dudová, it is an experiment with three people who are close to her, whom she places in one room for three days, leaving them to their fate with the task of writing a poem. Sometimes the recording of real events is more poetic than the poem itself.
A collage of influences, spoken sentences, deeds, traces, and appearances of the Brno poet and prose writer Jan Skácel. Contemporary cultural figures regard the author as a social and cultural phenomenon. The directors of this documentary, on the other hand, decided to treat Jan Skácel as a subject of literary and social history, whose role in the cluster of regime and cultural events is unwavering and often – nowadays – glorified or otherwise embellished. In the film, they attempt to distance themselves from the established ideas about Jan Skácel and, at the same time, from past interpretations of Jan Skácel’s work. Instead, they interpret him through their own series of images.
