Acting
The history of decolonization from the point of view of colonized peoples, an epic story that still resonates and reverberates to this day.
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Born in Constantine in 1929, and having lived for many years in France and elsewhere in Europe, Kateb Yacine was one of the most celebrated and pioneering writers of the Maghreb—a poet, novelist, and playwright. In this film, Kateb Yacine reflects on his work, his ideas, and his life. Through his memories, an extraordinary journey unfolds. The images he arranges like a deck of cards provide the keys to understanding his singular path. He quietly enters our imagination, awakening in us the desire to join him in his unfulfilled quest: the search for memory.
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
