Sam Perry
Directing
Biography
Writer, filmmaker, artist. Sam Perry was born in 1939. As a student at the University of British Columbia in the early 1960s, Perry came into contact with the experimental multimedia work of David Orcutt, who supported Perry's growing interest in film animation. By the mid-1960s, Perry's film and image projections would play a key role in the events at the Sound Gallery and the Motion Studio. In addition, Perry spearheaded the Tripps Festial (July 29-31, 1966), a multimedia sensorium of music, film, slides, and moving liquid utilizing over fifty projectors and 25,000 square feet of screen. Performers included Big Brother and the Holding Company (with Janis Joplin), the Grateful Dead, Quicksilver Messenger Service, the Daily Flash, and poet Michael McClure. Perry's interest lay in such an environment's ability to transform a participant's consciousness. The addition of light and film projections to musical performance was an attempt to alter the traditional relationship between audience and entertainer, shifting the focus away from the individual performances to the collective production of new realities. Perry took his own life in 1966.
Known For

"There were also explorations of what Sam called 'Sun Strobes.' This is a process of directly looking at the sun with closed eyes and then spreading the fingers of both hands extended fully in front of the face and then moved up and down. This has a strobing effect for the sunlight landing on the eyelids and creates sets of interesting visual patterns for the closed eyes. With 16mm cameras, Sam and I went to the Nitobe Garden. It was late Spring or early Summer of 1965. Sam filmed me engaging plant forms like green leaves and holding them up to my eyes and observing the visible structures of the leaves." -Gary Lee-Nova
Sun Strobes Light Shows Nitobe

16mm experimental film by Sam Perry
Record of Rogatnichio (Extravaganza in UBC Armoury)

"Brion Gysin and Ian Sommerville innovated a machine they called 'Flicker' which produces similar effects to what Sam was filming with me. The other footage is of me with a large pair of scissors, cutting up verbal material from magazines. I was working on collaging text and pictorial material onto a large, fascinating chair owned by Bill Bissett." -Gary Lee-Nova