Raphael Bonacchi

As an epidemic of a lethal airborne virus - that kills within days - rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.

A tale of torn loyalty and love between SS officer Nikolaus Fuhrich and his first love, Jewish violinist Elisabeth Soloviechik. From two befriended Austrian families, one Jewish, one "Germanic," the fates of these two young characters intersect and intertwine prior to the First and after the Second World War.

The world strongest man learns how to embrace his mental health challenges by confronting his inner demons and dealing with his biggest failure to date which ultimately changes his life.

Lucy, a 19-year old law student and intern at a Swiss television network in Geneva, comes across her double in archival footage about the woman’s liberation movement in the 70’s. Her family’s resistance to talk about this time convinces Lucy that a secret lurks behind this mysterious woman, named Geneviève.

Gunars Taurins has become a dad-sitter in Latvia. He wants to return to France as soon as possible once he has found a caregiver for his father. But it's not that easy and Gunars has to stay in Riga whether he likes it or not.

Varying characters in historical and local transformations recount cheerful mystical stories of the city where death found its home. It is about primal human fears and the desire for love, security and loneliness.

Sam, a seven years old kid, has been living with his mother since the divorce of his parents. He has to temporarily move in with his father, Gerome, who has never taken care of him. So, Sam is not close with his father. Everyone around Gerome thinks that he's incapable to look after a child. After a chaotic start, Sam, by the force of his convictions, is going to help Gerome to get mature and to teach him how to become a father that he missed so much.

What does ‘normal’ actually mean? And what is ‘crazy’? Everybody attempts to convince Léa that her mother, Suzanne, is mentally ill. Her father wants to see her returned to the psychiatric clinic, but Léa refuses to see her mother in the same light: Suzanne is happy – even if she doesn’t act like others expect her to. She appears to live a joyfully infantile existence after calmly letting go of life’s pressures. Léa captures her mother’s life on film and focuses her attention on examining the old super-8 films from the family archives. When she is left to drive her mother back to the clinic after a weekend at home, Léa grabs her opportunity: She turns the car around and whisks Suzanne off on a journey; a road trip without the judgements of others. AVANTI follows a mother-daughter relationship with an ease and depth that highlights the complexity of the emotional ties within a family.