Acting
Artem is 35 years old. He’s a psychologist, he uses this provocative methodology successfully until one of his clients commits suicide. The one who Artem tried to heal from a suicidal mood by taking him to the roof and telling him that suicide was the right course of action. Artem is condemned to 8 years of colony, the psycholo- gist’s license is taken away, his wife Dasha (32) leaves him, his friends turn their backs on him. With the help of his best friend, Artem gets out of jail. All he is looking for is justice. He believes in his method and wants to prove that it’s actually working and the blame of the patient’s death is not on him. Each episode is a sep- arate case, Artem is brilliantly solving other people seemingly im- possible problems. But will he be able to save himself?
Max, an ordinary schoolboy with somewhat unusual parents, finds himself in a village for winter break, against his will. In the village, he encounters a dish that's familiar to the locals but new to him - potato pancakes. The boys, along with their cousin, decide to start a business: they convert an old UAZ into a food truck and sell potato pancakes. But how can you tackle adult problems when you're still a child yourself?
Masha encounters the insidious Nyanya again. But now the villain has a new ally - the charming swindler Anton. At stake is the school graduation. Together with her friend Egor, Masha must stop the criminals and save the most important evening of the year.
No description available.
Russia, 1917, WWI. This is the story of the 1st Russian Women's Battalion of Death, formed as part of an ill-conceived propaganda ploy by the Russian Provisional Government in late May of 1917.
The village idiot lives in a hut with his sick mother. His neighbors are the Jewish family of the local blacksmith Mendel, and the guy is secretly in love with his youngest daughter Sonya.
Nadia made her choice all her life with an eye to pleasing the environment, and by the age of 45 she was at an impasse. On the one hand, she has everything that many do not have - a family, work at the university, status. On the other hand, she does not feel that she is living her own life. But violence against one's inner world cannot go on forever. After her husband's betrayal, Nadya realizes that she cannot continue to live like this. At this moment, her niece Alena, who is fond of stand-up, moves into her apartment and encourages her aunt to change. Gradually finding harmony with herself, Nadia begins to change for the better. But will Nadia be able to defend her right to be herself - to dress the way she wants, do what she loves and meet a young guy - when relatives, friends and colleagues believe that she violates social norms and do everything to prevent this from happening?
