Zhana Sardlishvili

Eka and Natia leave their childhood behind and ignore societal customs to escape from their turbulent family lives.

Datho (Merab Ninidze) has been innocent in prison for many years. When he comes home nobody wants him. His angelic wife Elene (Anna Antonowicz) has fun with a fire-eater. The two children imagined the father as a hero, not as a sorrowful knight. But everything changes when Datho can freeze his enemies in the bathtub or he calls for rain so that they remain stuck in the mud.

Backpacking in the Caucasus Mountains, walking for hours, an engaged couple and their tour guide trade anecdotes and play games to pass the time, until a momentary misstep, that takes only two or three seconds, changes everything.

Dreaming of creating a Czech musical theater, not recognized in his homeland, Josef Navratil, under the pseudonym of Iosif Ratili, one day comes on tour to Georgia.

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

No description available.

Dmitrij has recently returned to his small Georgian hometown after graduating from a university abroad. His monotonous days drag on, between working and the solitary rock-climbing excursions.

Butterflies die if you move them elsewhere. But artists without a living can’t stay together in their commune in Tbilisi forever.

Live writing is the plot and artistic principle of cinematic improvisation by Nana Djordjadze and Irakli Kvirikadze.

A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.

Documentary film.

Single mom Anna is forced to take three, then four jobs to support herself and her austistic son who lives in a children’s home. When it all becomes too much to bear, she decides to leave Georgia and travel to the US. But getting tickets and a fake visa is easier said than done.

At a glance, the main characters of the film are usual peasants: they hoe and dig the ground; they are busy with animal husbandry and grow crops. But the feature which makes them different from other villagers is their great love to theatre. In winter and summer, in snow and rain, every day they gather in a damaged building, have rehearsals and stage some new performances. The stage is the main driving force in their life, as long ago they’ve been poisoned with the dust of theatre.