Wael Abumansour

In the heart of Riyadh, where desperation and opportunity collide, Mandoob brings forth the gripping tale of Fahad Algadaani, a mentally fragile man racing against time to save his ailing father. As his world crumbles under the weight of financial burden and societal indifference, Fahad's life takes an unexpected turn when he is forced to make ends meet as a humble delivery mandoob.

Al-Gaid emerges as a captivating epic adventure, unfolding against the backdrop of the 20th-century wintery northern Arabian desert. Boldly redefines the adventure revenge genre and Bedouin soap operas, crafting a unique narrative.

These four tales explore trickery and deception, from tire thieves crashing a wedding to a man's frantic attempt to bury a secret for a deceased friend.

At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.

Masoud sets out with Salma on a journey with no destination and no plans to return. But when they break down in the desert, their adventure takes an unexpected turn.

Uncle Salem Bahijri leans upon as his heart as he rises upon the stairs of his traditional family home in Jeddah’s historical Yemen District. In his presence, the youthful air of a man in his twenties, leaving behind seventy years of age long spent in this very family home.

Masoud (Mohammed Salama) sets out with Salma (Nada Almojadedi) on a journey with no destination and no plans to return. But when they break down in the desert, their adventure takes an unexpected turn. The mechanic Sufyan mysteriously disappears with the car and Masoud pursues, leaving Salma alone. Thus begins a voyage of self-discovery for Masoud. Alone in the wilderness, he must confront himself, a process that strips away old habits and beliefs as he begins to understand what is essential. The landscape becomes an interlocutor, expanding the psychological and social dimensions usually diminished by the noise of urban life. Within the liminal space of the desert, the values of the life Masoud has left behind are lain bare. Distorted by his immediate relationship to survival, the crisis of selfishness and consumerism that undermine his society becomes apparent. The film was supported in post-production by the Red Sea Film Festival Foundation’s “Bait Al Montage” Fund.

Mozmar is a cultural game rooted in the Hijaz region of Saudi Arabia, in which people have stored elements of their art and true essence, identifying themselves and representing their neighborhood's pride, nowadays in a decaying stage.