Penelope Trappes

Summer 1994, Scotland. Johnno and Spanner are best mates, but Johnno’s family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape they head out on one last night to an illegal rave before parting ways indefinitely.

The film focuses on a young girl's bizarre and unexplained ability to heal the wealthy elite, leading to her involvement in a sinister underworld.

Sex 'fuses' bodies, entering, penetrating, consuming, holding, manipulating physical forms to remove any space left between us, pushing through spacial boundaries to experience an intense and vulnerable closeness and combination. 'Fuse' also references electricity, electrical currents and overload, whereas Carolee Schneemann shot her film Fuses in 1967 on analog 16mm celluloid we make films, fuck and communicate using digital, electronic devices, currents flowing across continents onto screens - now more than ever in the wake of the pandemic. A film made in lockdown isolation that honoured the potential future collaborations missed and explored new ways to fuse and fuck across distances. Bodies projected over and merging, the light from them captured through lenses into binary, transmitted across distances into shimmering pixels on screens thrown in beams of light onto and into another body.

Our bodies are conduits, sex is transference of energy. Eyes, mouths and orifices become blackholes against glittering skin, fluids dark against phosphorescence. Reflecting each other. Elemental fusion.