Jōji Ehara

Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.

A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.

1962 Japanese movie

A musical film based on the original work of Saigo Teruhiko. After leaving the juvenile detention center and returning to his hometown of Ibusuki, Hachiro begins to investigate the cause of his older sister Sumiko's suicide. While Hachiro was in juvenile detention, Sumiko committed suicide, but there are too many mysteries surrounding this suicide...

Fourth installment of Nikkatsu's "Drifter" series, with Kobayashi Akira.

1962 Japanese movie

1962 Japanese movie

Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.

1962 Japanese movie

One summer day, the chief monk of the Hojuin Temple dies. Harumichi rushes back to town hearing about his brother's death and requests for a grand funeral. He had been unwilling to take over the family business and had chosen a life as a middle school teacher far away from home, but considering the circumstances, he changes his mind. As the new chief of Hojuin, Harumichi scrambles around day after day for donations. He has kept strictly to the straight and narrow, until he passes a bicycle race track where the sounds of cheering fans induce him into a new way of life...

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

Japanese crime film

The lives of two brothers, Kunio and Akira Kasahara, are changed forever when their father is murdered. Kunio sets out on a manhunt to avenge his father and will stop at nothing until he finds the killer. Setsuko, Kunio's fiancée, is unable to keep up with the lunacy that Kunio stirs up and finds comfort with another man - his brother, Akira.

A young man travels to Egypt and becomes embroiled in an independence movement by chance. Produced entirely on location overseas, which was groundbreaking at the time.

No description available.

Kunisada Tadaharu, a peasant of Kunisada Village in Joshu Sai County, could not stand the bad government and poor harvest of Takebe Genhan, the governor of the time. entered the world of As he played more and more games at the gambling hall, he became feared as "Chuji the gambling robber", and became a boss who had a share of Inui such as Nikko's Enzo and Shimizu's Kentetsu. However, due to a disagreement, he killed his benefactor Isaburo Boss, and was abandoned by Yasugoro and was chased. However, Chuji cleverly took advantage of the peasant uprising, shut himself up on Mt. Akagi, opened a gambling hall, and was touted as the greatest boss in the Kanto region. The magistrate, who learned of the close relationship between the peasants and Chuji, finally arranged for Chuji to go on a trip. Chuji, who doesn't know that he was weighed, gleefully descends the mountain, but...

Kyoko and her mother Yuki returned to their hometown of Fukui. Yuki runs a dressmaker's store in the city, and Kyoko has taken a job as a nurse at a prefectural hospital. The film depicts the daughter's attempt to grow from adolescence to adulthood in a family of one mother and one daughter, and her emotional exchange with her mother against the backdrop of the harsh natural environment.

Koji Wada, who is good at shooting, karate, judo and boxing, has a tough fight with the sea gangsters!

1962 Japanese movie

1962 Japanese movie