Daniele Occhipinti

An eighteen-year-old boy is released from an institute for minors with no family support, and for the first time tastes the bittersweet flavor of freedom; an imprisoned mother longs to go back and start all over again. These are the characters taken from the real world and transferred into a film that is first of all a shadowing of human beings, of their hopes and little acts of cowardice. But it is also the story of a time of waiting, of a soul going around in circles, a coming of age in a desolate and oppressive, marginal context that becomes a character in its own right.

Margherita is a 14 year old living in Milano, who shares everything with her friends. They discuss clothes, music, school and that first kiss. A delightful coming-of-age film in which the here and now is all that really matters. Where every little thing is so very important and where feelings sometimes bubble over. In your teens, there’s no room for anything but friendship and love.

Astolfo, a retired professor evicted from his apartment, decides to move into an old noble but decrepit palace, the last remnant of his family patrimony in a remote village of Abruzzo, where he hasn't been for decades. Soon enough, as a newcomer, he befriends a vagabond, a retired chef and a young handyman. A group of four live harmoniously at his place when he comes across Stefania, a charming and generous woman of his age. Astolfo falls in love and struggles with feelings he thought belonged to the past. Encouraged by his loyal group, Astolfo makes a brave step and learns delightedly that it's never too late to fall in love.

Under threat of eviction, an old man hides himself inside his flat, ready for anything - except the cruel twist of fate that will force him to reassess his whole life.

No description available.

The demand for gender equality, the abolition of the compulsory hijab and fundamental human rights did not begin with Mahsa Amini’s death; Iran’s feminist movement has a long and deep-rooted history.