Alan Erlich

The Littlest Hobo is a Canadian television series based upon a 1958 American film of the same name directed by Charles R. Rondeau. The series first aired from 1963 to 1965 in syndication, spanning six seasons and was revived for a popular second run on CTV from October 11, 1979 to March 7, 1985. It starred an ownerless dog. All three productions revolved around a stray German Shepherd, the titular Hobo, who wanders from town to town, helping people in need. Although the concept was perhaps similar to that of Lassie, the Littlest Hobo's destiny was to befriend those who apparently needed help. Despite the attempts of the many people whom he helped to adopt him, he appeared to prefer to be on his own, and would head off by himself at the end of each episode. Never actually named on-screen, the dog is often referred to by the name Hobo or by the names given by temporary human companions. Hobo's background is also unexplained on-screen. His origins, motivation and ultimate destination are also never explained. Although some characters appeared in more than one episode, the only constant was the Littlest Hobo himself.

Six twenty-something form a pop band named Catwalk.

Check it Out! is a Canadian television sitcom, which aired on CTV from September 1985 to April 1988. The series also aired in the United States in syndication and on the USA Network.

A Canadian anthology series designed to spotlight emerging writing talent, presenting a diverse range of stories and encompassing everything from conventional drama to offbeat and absurdist sketch comedy.

The Canadian contribution to World War Two was extraordinary in scale and variety. More than one million people, out of nation of just eleven million, volunteered to serve. To transform a small, virtually unequipped military into a powerful army, navy and air force was a remarkable achievement. No Price Too High traces Canada's involvement from the prewar years through 1945, explaining the events of the war in the context of the political and military realities of the time. There is none of the second guessing that has characterized so much recent analysis of the war. No Price Too High draws on original sources - personal letters and diary entries, and powerful photographs - to evoke the mood of those momentous years. The thoughts, hopes, dreams, fears, and heartbreaks of the generation of Canadians who faced the war are captured. Produced by Norflicks, No Price Too High chronicles Canada's role in the major events of the war, including The Battle of Britain, Dieppe and D-Day.

An ambitious businesswoman will do whatever it takes to climb the corporate ladder.

A two-hour documentary which recreates for the viewer one of the greatest battles in Canadian military history. The film was made to show that Canadian character at its best, forging an identity for a country that before the First World War had been seen only as a British colony - an identity and a character that became recognized and respected throughout Europe.

Canadian military accomplishments in the last hundred days of World War I, when the German Army was destroyed, surpassed those of any other army. The Canadian success was, in no small measure, due to Arthur Currie, whom a recent British historian describes as "the most successful Allied General and one of the least well known."

Canada was led to war by a bigoted, ignorant, self-obsessed Minister of Militia, who may well have been clinically insane, but the importance of Canada's contribution in that war owes a great deal to him. The man of course, was Colonel - later made Lieutenant General by his own hand - Sam Hughes. Sam's Army is a compelling portrait of a complex man and the formidable military he built. Sam Hughes was not your standard-issue military leader. Canada's World War I Minister of Militia and Defence concentrated power in his own hands, insisted that the Canadian military use the ill-conceived Ross rifle and liberally promoted his cronies. But there was no denying Hughes was a visionary. He assembled the world's largest-ever volunteer army and bucked superiors to keep his ferocious fighting force together in one Canadian Corps.

In mythical Ilyria, Viola and her twin brother Sebastian are separated after a shipwreck. Disguised as a boy, Viola enters the service of Duke Orsino who sends her off to woo the Countess Olivia on his behalf. Confusion and misguided love eventually leads to the happy reunion of the siblings.