Sarah Francis

Walid and Aida, husband and wife, are reunited after Walid’s many years spent living abroad. Answers to long-hidden secrets are sought in Sarah Francis’ careful unravelling of an estranged marriage.

A glass van roams the streets of Beirut. The van houses a camera that explores the city from behind the glass. Through its journey, it becomes a mobile confessional, capturing moments from peoples' lives, all the while searching for something or someone. The confessions are candid, blunt and intimate.

This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.