Directing
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
The evil Nasty comes to our world with two objectives -- kidnap Buji, and carry as much candy as possible back to his world. He has the ability to 'shape-shift', and using the appearance of Dibu, he holds up a bank so that he can get enough money to buy the candy. The police wrongly imprison Dibu, who manages to escape and confront Nasty.
A ship supposedly loaded with toys from the East, sails to the south coast of Argentina while hiding, inside its false bottom, a deathly load of radioactive residue
