Acting
This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.
Together with a group of temporary workers, a group of experienced labourers is building a land reclamation system to turn the South Bohemian marshes into a "Seventh Continent" of fertile soil.
In the thick woods at the edge of the Bohemian Forest, two border guards are keeping watch - rifleman Kucera (Rudolf Jelínek) and dog handler Stencl (Josef Hajducík), whose sluggishness and clumsiness have won him the nickname Simpleton. The official army dog, the bitch Líza, picks up the scent of an alien dog on the German side - Black Wolf. She bites through her leash and runs away. Soon afterwards, the border boundary was interrupted. The two soldiers are wounded in the gunfire that follows, but Stencl's shot also hits the target and the intruder - an attractive woman in a black jersey - is dead. The investigation reveals that this agent knew someone among the local residents. The locals are all called in to identify the body but nobody admits to knowing the woman.
Czech nobleman Petr Vok of Rozmberk (Milos Kopecký) is no longer so young, but his amatory adventures continue to arouse the envy of men and the indignation of respectable ladies. In his "female retinue" at the chateau in Bechyne he has twelve comely girls, but he still manages to seduce the miller's wife and the maid. Lord Vok is in great financial difficulties. His elder brother Vilém advises him to marry a rich woman. Petr surprises him by announcing his intention to marry the very young Katerina of Ludanice.
A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.
ComiBaran, a protestant blacksmith arrives in the little village of Lakotice to kill Sekal, a cruel Nazi collaborator.
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Owners of all kinds of animals and birds, from puppies to sick calves and grasshoppers, come to the veterinary "hospital". They meet with the professionalism and helpfulness of the doctors and especially with the attending nurse Miluska, who finds a kind caress, a smile and help for every creature. She even gets the doctor to visit a sick grasshopper, which its rather stubborn owner left without treatment. There's a bit of loving reverie on Milushka's part, too, because she liked the young man who came with the mare. But it remained just a nice, if a bit silly dream, because the young man is married. But the daily reality overcomes that bit of sadness and Milushka remains faithful to her patients...
Miroslav Hornicek is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.
The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.
Czech film tells the story of a border town in World War II. Family members and friends become enemies.
