Andrés Rodríguez

Héctor returns to his town in the Guatemalan highlands after a difficult migration of many years to the north. That trip has left him wounded. With a possessive mother, a young wife who despises him since her abandonment and a young son who does not know him, Héctor will try to adapt, proposing to live as before, repairing lost time, but he runs into a community that has already discarded him. His violent reaction breaks the fabric of his environment, and he discovers that since he left everything has changed, neither Héctor nor his community will be the same.

Salango is a small parish south of Manabí. What this land means to Ecuador, however, is huge. Its name is associated with the pre-Columbian legacy of the Manta Wancavilca cultures, the humpback whales that arrive each year to mate, the homonymous island and its coral reefs, the great wealth of marine fauna. It is there, in one of the places with the greatest archeological and environmental heritage of our country, where the Polar fishmeal processor has been operating for 35 years. What does not emerge from the idyllic postcards of the area is the foul smell that pollutes the air, the portrait of people sick from the factory's toxic wastes, the disgusting black smoke that flows into the sea directly from the processor pipeline. That is why it is the struggle of the few members of the community who have not given up and demand that Polar leave.

The documentary tells how some rockers from the 1970s decided to use their ingenuity and creativity to combine rock with folklore, giving rise to new sounds that set the musical tone for those years and are now part of our country's musical history. The stories of each of the interviewees strengthen the country's collective memory, and through their anecdotes, the work of this group for Colombian rock is preserved.