Directing
In KNOCKED OUT, JERKED OFF 2 (KOJO 2) videographer Jack Miller continues his hands-on exploration of naked male bodies, videotaping more sessions with straight young men who've taken basic "knock-out" pills and given Miller permission to do what he will with them while they sleep. The camerawork is crude--it's just Miller and the unconscious dudes; Miller holds the camera one-handed while he strips the guys and runs his other hand all over them--but the results, when he gets the cumshot and even when he doesn't, are fuckin' hot.
Paul Morris and Treasure Island Media present the first instalment in Jack Miller's KNOCKED OUT, JERKED OFF (KOJO) video project, in which Miller tapes himself fondling the naked bodies of unconscious straight guys. Whenever Miller meets down-and-out young men, he makes an offer. Those who accept--and you might be surprised how often they say yes!--know exactly what's going to happen to them. Miller explores their fine, masculine bodies and works their cocks, previously untouched by any man, into throbbin' boners. And as often as not, he's able to squeeze a big load of jizz out of them while they sleep.
The latest in Jack Miller's sexploitation series, KNOCKED OUT, JERKED OFF 3 (KOJO 3), features more straight men willingly allowing Miller to stroke their nude bodies while they take a "hard nap" (courtesy of some knock-out pills). These young men have never had their cocks touched by another man and it's only because they're unconscious that Miller can run his hands all over their sexy, sleeping bodies. Oblivion notwithstanding, these guys respond with rock-hard erections and geysers of cum.
Victimizer of men and manipulator of the down-trodden, JACK MILLER returns with his ninth installment of the KOJO series. In KOJO, JACK's perennial study of broke and broken men, each man swallows "knock out" pills and booze. Once they’re deep in a “hard nap,” JACK and his buddies fondle to their hearts' delight.
Paul Morris and Treasure Island Media present Knocked Out Jerked Off Vol. 6. Jack Miller examines the naked male form in a hands-on, up close and personal way. Whenever he meets guys who look like they could use a helping hand, Miller offers one: a little pocket money, all the booze they can drink, and a couple of "knock out" pills to render them unconscious. In exchange, these men offer up their fully exposed sleeping bodies and meaty cocks, untouched by man, to Miller's exploring touch."
This installment of my video project is a little different. The guys in KNOCKED OUT, JERKED OFF 4 (KOJO 4) are still straight and previously untouched-by-man, and they're still unconscious as a hand roams over their bodies and strokes their rock-solid dicks. But this time around I decided to let a friend of mine, who's been begging to get in on the action, lend a "helping hand" in some of the scenes. Hope you enjoy them as much as we did!
Blindfolded, ass in the air, cocksucking at a gloryhole… Anonymous Sex is the pure pleasure of sucking and raw fucking total strangers. These are Paul's favorite anonymous suck and fuck scenes. Features scenes from the Treasure Island Media films What I Can't See 3, Fuck Holes 2, So You Wanna Be A Cumdump, Dawson's 20-Load Weekend, The 1000 Load Fuck, Fucktards, Viral Loads, Bone Head, Suck Dick/Save The World, Knocked Out Jerked Off 8, and the TIM Vaults, as well as a scene from Toxxxic Film's Cum Dump.
Notorious fondler of wayward men, Jack Miller returns with Volume 10 in the KOJO Series. This time he's brought us seven broke and broken men who each swallow!
Paul Morris and Treasure Island Media present KNOCKED OUT JERKED OFF 5, the next volume in Jack Miller's ongoing video project. Once again, Miller tapes himself going where no man has gone before–fondling the cocks and naked bodies of straight men who have never felt the hand of another man. Down on their luck or just seeking new thrills, the seven guys in KOJO 5 agree to take "knock out" pills and let Miller (and sometimes his buddy) have free rein with their fine bodies and fat, throbbin' boners while they sleep.
