Kunifumi Yoshida

A quiet killer is looking for a room. The real state agent, shy and expressionless, guides him through Tokyo, towards the ruins the decadent economy has left behind, in hopes of finding The Room.

Three social outcasts who live near the seaside interact with each other in increasingly disturbing ways. The trio of characters are a woman who has killed her sister, a man who enjoys necrophilia, and a female amnesiac. The first woman engages in sadistic pursuits such as capturing young women at the beach to force them to engage in sexual activities, including copulation with a horse and a dog.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.

An abundance of footage from the shooting of Battle Royale and cast and crew discussions.

A wordless series of special situations involves a gay cop who encounters ambiguous, erotic games and sex between strangers.

No description available.

One day, Hiroshi was helping in an acquaintance's shop and accidentally breaks a jar that cost 1 million yen. Hiroshi can't pay for that and he calls his parents' house as a last resort. He receives news that his father is ill with only 1 year left. Hiroshi wants to make his father happy and decides on a fake marriage. They find a lesbian teacher called Ayako interested in fake marriage on the internet. However, when they go to meet her the angry girlfriend of Ayako called Ami shows up and a man tries to catch Hiroshi for not paying his 1 million yen debt. They steal a van and Ami, Hiroshi and Toshiya drive off in hopes of finding Ayako.

Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.

Keiko Suzuki is a lonely waitress in Tokyo. Her father passes away of cancer and she becomes obsessed with the passage of time. And so, three weeks before her 22nd birthday, she decides to record this period of time in the most accurate way possible, regardless of how lonely or banal this record ends up being.