Jozef Hardoš
Camera
Known For
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Bakaláři
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Zlatá brána
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Bratislavské pondelky
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Marína, Marilyn a tie ďalšie...
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Právom lásky
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Zlý záber
A fairytale story in which love and humanity are not just words, but become a force that words cannot describe. You won't find three identical stars in the sky, three identical stones on the earth, nor three identical beings among the wizards - the old and wise Habra, the suggestive Hobrix and the beautiful Harex watched over an imperfect, emotion-ridden human race until malice and love entered their lives as well.
O ľuďoch a čarodejníkoch
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Príťažlivosť výšky
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Narodení pre nebo
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Dutý kameň
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Smútok na rukáve
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110 metrov
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Bratříčku, zavřel jsi vrátka...
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Amerikánci
A romantic-adventure set in early 14th-century Slovakia, where the powerful lord Matúš Čák Trenčiansky encounters figures drawn from Hurban, Pauliny-Tóth, Záborský, and Jége. As love and loyalty intertwine with political intrigue, their intertwined fates lead to the pivotal Battle of Rozhanovce in 1312, revealing Matúš’s struggle to reconcile personal passions with the wider destiny of his region in European history.
Matúš
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Sivá húska
Eugen Suchoň's ballet Angelika is historically the first Slovak ballet in staged form, depicting the story of a musically gifted but poor and underestimated girl who is wrongly accused of theft. In the 2014/2015 season, the SND Ballet undertook the staging of the first Slovak ballet. Composer Eugen Suchoň (1908 - 1993), one of the founders of Slovak musical modernism, wrote the ballet pantomime Angelika for Slovakia as a seventeen-year-old pupil of the Music School. The work was found in the composer's estate along with other compositions from the so-called pre-Opus period. Mauro di Candia, who choreographed and directed the first staging of Suchoň's work, presents the staging concept of the ballet Angelika as an original, precise and pure ballet form within a contemporary choreographic language, combined with the musical elements of Suchoň's melodic score.
Angelika
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Oneskorené kvety
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Šiesta noc v Neapole
The original contemporary TV movie is an intimate story of a relationship between a middle-aged man and woman whose perspective is diminished by a different set of moral values. It is also a confrontation of two principles at work in today's world - the ruthlessly pragmatic, the ruthlessly "impractical" in its focus on the dying values of interpersonal relationships, the quiet harmony of life, and aesthetic beauty.